![]() ![]() They were joined by guests Al Kooper on Hammond organ, Ken Ascher on piano, and Leslie West on guitar. Īfter the initial concerts, at Lambert's suggestion the group flew to New York to make studio recordings at Record Plant Studios. The show included a new quadrophonic public address system which cost £30,000 the audience was mainly invited from various organisations, such as youth clubs, with only a few tickets on sale to the general public. After Keith Moon had completed his work on the film 200 Motels, the group performed their first Young Vic concert on 15 February. The group held a press conference on 13 January 1971, explaining that they would be giving a series of concerts at the Young Vic theatre, where they would develop the fictional elements of the proposed film along with the audience. Pete Townshend was given a Gretsch 6120 guitar by Joe Walsh in early 1971, and it became his main electric instrument for Who's Next Some elements accurately describe future technology for example, The Grid resembles the internet and "grid sleep" resembles virtual reality. A rebel, Bobby, broadcasts rock music into the suits, allowing people to remove them and become more enlightened. Lifehouse is set in the near future in a society in which music is banned and most of the population live indoors in government-controlled "experience suits". The basic plot was outlined in an interview Townshend gave to Disc and Music Echo on 24 October 1970. Townshend has variously described Lifehouse as a futuristic rock opera, a live-recorded concept album and as the music for a scripted film project. Of all the group, he was the most keen to use music as a communication device, and wanted to branch out into other media, including film, to get away from the traditional album/tour cycle. This evolved from a series of columns Townshend wrote for Melody Maker in August 1970, in which he discussed the importance of rock music, and in particular what the audience could do. Instead, the group tackled a project called Lifehouse. A single, " The Seeker", and a live album, Live at Leeds, were released in 1970, and an EP of new material ("Water", "Naked Eye", "I Don't Even Know Myself", "Postcard", and "Now I'm a Farmer") was recorded, but not released, as the band felt it would not be a satisfactory follow-up to Tommy. They had been touring since the release of Tommy the previous May, with a set that contained most of that album, but realized that millions had now seen their live performances, and Pete Townshend in particular recognized that they needed to do something new. The group had started to drift apart from manager Kit Lambert, owing to his preoccupation with his label, Track Records. The mod movement had vanished, and the original followers from Shepherd's Bush had grown up and acquired jobs and families. It has been reissued on CD several times, often with additional songs originally intended for Lifehouse included as bonus tracks.īy 1970, the Who had obtained significant critical and commercial success, but they had started to become detached from their original audience. It has since been viewed by many critics as the Who's best album and one of the greatest albums of all time. The album was an immediate success when it was released on 2 August 1971. The cover photo was shot by Ethan Russell it made reference to the monolith in the 1968 film 2001: A Space Odyssey, as it featured the band standing by a concrete piling protruding from a slag heap in South Yorkshire, apparently having urinated against it. ![]() They made prominent use of synthesizer on the album, particularly on "Won't Get Fooled Again" and " Baba O'Riley", which were both released as singles. After producing the song " Won't Get Fooled Again" in the Rolling Stones Mobile Studio, they relocated to Olympic Studios to record and mix most of the album's remaining songs. The Who recorded Who's Next with assistance from recording engineer Glyn Johns. Ultimately, the remaining Lifehouse tracks would all be released on other albums throughout the next decade. Eight of the nine songs on Who's Next were from Lifehouse, the lone exception being the John Entwistle-penned " My Wife". The project was cancelled owing to its complexity and to conflicts with Kit Lambert, the band's manager, but the group salvaged some of the songs, without the connecting story elements, to release as their next album. It developed from the aborted Lifehouse project, a multi-media rock opera conceived by the group's guitarist Pete Townshend as a follow-up to the band's 1969 album Tommy. Who's Next is the fifth studio album by English rock band the Who.
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